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A track loaded with hypnotic groove and club-ready precision in true Jamie Jones style.
At a time when tech house seems to be caught between formula and innovation, Jamie Jones once again proves why he remains one of the most influential names in the scene with his reinterpretation of Gets Like That, originally by Max Dean and Luke Dean.
Released in April 2026 via DX3N, the track sits firmly within modern tech house, with a structure clearly designed for the club: a steady groove, progressive tension, and a controlled release that never feels predictable.
From the very first bars, the remix is driven by a thick, enveloping bassline—a Jamie Jones trademark. The track revolves around a minimal vocal loop and sharp percussion that evolves through subtle details: hi-hats that gradually open up, effects that come and go, and a bassline that shifts slightly without ever losing its punch. What stands out here isn’t complexity, but efficiency—every element is placed with surgical precision to keep the dancefloor moving.
This remix doesn’t aim to be explosive from the first drop; instead, it’s a true “grower”—one of those tracks that gains strength as it progresses. There’s a clear intention to build a moment within a set rather than dominate it entirely. This is DJ music, made for DJs.
What defines this remix is its balance between underground depth and accessibility. Jones preserves his signature sound—deep, sensual, and slightly dark—while adapting the track to a contemporary landscape where tech house demands immediacy.
The result is a cut that could work just as well in Ibiza (especially within his Paradise universe) as it would on global festival stages, without losing its identity.
Gets Like That (Jamie Jones Remix) doesn’t aim to reinvent the genre—and it doesn’t need to. It’s a strong example of how to craft functional, elegant, and effective tech house, with enough personality to stand out in sets saturated with similar sounds.
