Share This Article

What do a child’s laugh, an Uyghur melody, a prisoner’s cry, a stellar explosion, and an idea of legacy have in common? In Universal Roots, they become chapters of a single, unified story—one about resilience, belonging, and the universality of sound.

Opening with “Lato Mare” by go-Dratta, the compilation sets a tone of warmth and intimacy. It’s environmental in both senses—natural and emotional. The use of child improvisations grounds the track in a sense of future hope, while the piano lines float with nostalgia. It’s music for the soul and the soil.

“Lachin” by Magna Pia acts as the cultural spine of the collection. The reinterpretation of a traditional Uyghur song gives voice to a culture often suppressed, while transforming its folkloric DNA into something stark and timeless. It’s a flight into memory and identity.

Saba Alizadeh’s “I Roared My Justice” is a defiant, deeply moving act of sonic remembrance. The phone call fragment in Farsi burns at the center like a candle in darkness. The processed Kamancheh and synthesizer blend personal grief with collective struggle—turning mourning into monument.

TON 618’s “Magnetar” then takes us to the outer reaches of the cosmos. The track pulses with electromagnetic energy, capturing the ghostly echoes of a distant celestial object. Here, music becomes a telescope—abstract yet immersive. The anonymity of the artist enhances the track’s otherworldliness.

Finally, “Legacy” by CNS ties it all together with a regal, affirming gesture. It speaks of continuity and triumph not in loud terms, but with restraint and purpose. The sound is rich, golden, and forward-looking—a fitting close to a compilation that begins with innocence and ends with transcendence.

In Universal Roots, every track is a meditation on what it means to exist—individually and together, now and always.

Saba AlizadehSocial Media Links

https://www.instagram.com/sabaalizadeh